Robert Boyd
Illustrator Dean Rohrer has been playing around with an American classic. Using Photoshop, he has been taking the figures out of Edward Hopper paintings. His thinking is formal--do the paintings work when you take the supposed subject out? It turns out they do--in fact, they look great!
Depopulated Morning Sun
Depopulated Cape Cod Morning
Depopulated A Woman in the Sun
Depopulated New York Office
Depopulated Nighthawks at the Diner
Depopulated Summer Evening
Depopulated Summertime
Depopulated Four Lane Road
IWith modern technology like Photoshop, an artist like Rohrer can deconstruct artworks at will, discovering something new about them by altering them. Hopper's paintings so often speak of loneliness and isolation, and depopulating them amplifies this aspect. It also forces you to look at the shapes of color with which Hopper forms his images and how simple these shapes were, how minimal, without sacrificing realism.
Seeing them all at once also gives you the feeling of looking at a depopulated world, after some calamity has taken all the people away. They are spooky, haunted images.
Rohrer has been posting these images on his Facebook page. Of course, Hopper did many paintings without any figures in them. Maybe Rohrer's next project should be to take some of the figures he excised from the paintings above and add them to the paintings without figures.
Illustrator Dean Rohrer has been playing around with an American classic. Using Photoshop, he has been taking the figures out of Edward Hopper paintings. His thinking is formal--do the paintings work when you take the supposed subject out? It turns out they do--in fact, they look great!
Depopulated Morning Sun
Depopulated Cape Cod Morning
Depopulated A Woman in the Sun
Depopulated New York Office
Depopulated Nighthawks at the Diner
Depopulated Summer Evening
Depopulated Summertime
Depopulated Four Lane Road
IWith modern technology like Photoshop, an artist like Rohrer can deconstruct artworks at will, discovering something new about them by altering them. Hopper's paintings so often speak of loneliness and isolation, and depopulating them amplifies this aspect. It also forces you to look at the shapes of color with which Hopper forms his images and how simple these shapes were, how minimal, without sacrificing realism.
Seeing them all at once also gives you the feeling of looking at a depopulated world, after some calamity has taken all the people away. They are spooky, haunted images.
Rohrer has been posting these images on his Facebook page. Of course, Hopper did many paintings without any figures in them. Maybe Rohrer's next project should be to take some of the figures he excised from the paintings above and add them to the paintings without figures.